· Aletheia · //FEVER//

I strongly believe that artists must pursue everything that seems unlikely and impossible;

fighting naivety with imagination, passion, dedication, and faith.

AgusFulka (b. 2000) is an Argentinian-born, Spain-raised, Amsterdam-based guitarist, composer, and multidisciplinary artist.

Rooted in both Latin and European traditions, his work spans jazz, flamenco, and live electronics, grounded in improvisation, community, and transcultural storytelling.

Born in Buenos Aires and raised in a small village in Spain’s Sierra de Gredos, he grew up in a household of music educators before moving to Madrid at sixteen to pursue music full-time.

A graduate of the Conservatorium van Amsterdam and former exchange student at USC (Los Angeles), he now leads two award-winning projects — Aletheia and FEVER — and serves as musical director for rising R&B artist Helena Casella.

His practice is guided by collaboration, cultural sustainability, and the belief that music can be both radical and humane.

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My first goal is to develop a long-term, sustainable artistic career. I see my independence as a chance to build honest relationships with the entities that make a scene. These connections are collaborative by nature, aiming to build a better future for the arts together.

I have dreamed and followed my dreams for a very long time. Lately, I have also started to dream collectively as much as I can; for myself, my fellow artists, musicians, and audiences.

After many projects, I came across this ‘little’ ecosystem that sustains my artistic soul while targeting different scenes and ways of developing professionally:

· Aletheia ·

acoustic, organic, crafted, traditional, jazz and flamenco.
FEVER

electronic, futuristic, techno, IDM, popular.

At first they seem polarised, just like existence nowadays. Yet when you listen closer, you can see they are two faces of the same coin: instrumental music, current multidisciplinary art, community and collective approach, the avant-garde, the humane.

*the rotational approach:

I chose a rotational line-up because there are enough incredible musicians who can bring their own flavour to the same role. It lets high-level players commit long term while pursuing their own paths, and it spreads each project’s success across a wider part of the scene.

· Aletheia ·

· Aletheia · is a folkloric jazz project where instrumental music speaks to the present.

I treat music as a transcultural phenomenon, diving into the crossover of jazz, flamenco, and South American traditions by composing instrumental ‘cuentos’ (tales) in search of a shared cultural identity for myself and my band.

A collective of stage designers, writers, cooks, and cultural researchers work around the music to create an act of congregation that revitalises the traditional jazz-ensemble format and invites the audience to rediscover their capacity to listen, to feel without explanation, and to connect with themselves and with others.

· Aletheia · is a ritualistic invitation to unveil and rediscover our preconceptions.

Finalist – Dutch Jazz Competition 2024

Performed – Flamenco Biennale

Supported – Goodmesh & SENA Production Funds

Debut album · Ilusiones · coming winter 2025 (via Black Road Studios)

Listen to 'Aletheia · Ilusiones' (UNRELEASED)

//FEVER//

FEVER is a live techno collective where musicians fulfill the role of the DJ.

A group of jazz-trained artists translate spontaneous creation into club language, proving that human energy can still drive electronic music in an increasingly digital era.

Two main formats shape the project:

FEVER (club): a four/five-piece late-night band (guitar, electronics, bass, drums) delivering continuous, improvised sets in fog and masks, where the focus lies entirely on the dance floor.
FEVER XL — the collective’s open laboratory, a large-scale jam session guided by the FEVER game (developed with the Rietveld Academy), where musicians and performers improvise within evolving structures.

At its core, the project keeps high-level musicians active in today’s club scene without sacrificing musical depth or freedom. The project’s vision extends beyond sound into visuals, light, and movement, forming a cross-disciplinary team of visual artists and dancers.

Winner – Goodmesh Competition 2024

Performed – ADE 2025, Bimhuis Supersession, Sissi’s Residency

Supported – Amarte & Stepping Into Tomorrow, Space is the Place

Releases – the ongoing // mini-EP series (via Black Road Studios)